George Eliot’s Romola can be considered as a kind of fresco, representing a phase of civilisation that includes elements drawn from Greek and Roman culture as well as Christian thought and belief. Romola is best read not as a historical novel, with an emphasis on fiction and narrative, but as an exploration of the differing elements at play in the humanist culture of Renaissance Italy.

The Italian Renaissance in Nineteenth-century European Historiography and the Victorian Myth of Florence. George Eliot’s Romola and the Origins of Modern Europe

Miriam Sette
2021-01-01

Abstract

George Eliot’s Romola can be considered as a kind of fresco, representing a phase of civilisation that includes elements drawn from Greek and Roman culture as well as Christian thought and belief. Romola is best read not as a historical novel, with an emphasis on fiction and narrative, but as an exploration of the differing elements at play in the humanist culture of Renaissance Italy.
2021
Europe: Critical Thinking in Critical Times
Miriam Sette; Gianluca Sardi; Laura M. Herța; Adrian G. Corpădean; Dario Verderame; Beatrice Benocci; Rafał Smoleń; Elena Grad-Rusu; Tiziana Lentini; Silvia Pizzirani; Delia Pop-Flanja; Roxana-Maria Nistor-Gâz
Inglese
ELETTRONICO
6
24
19
9781916458697
Interdisciplinary Discourses
London
REGNO UNITO DI GRAN BRETAGNA
George Eliot; Romola; Renaissance; the Italian Risorgimento; Cardinal Bessarion; Roman Empire.
https://www.lcir.co.uk/simp/wp-content/uploads/2021/04/Europa.Critical-thinking-in-Critical-Times.pdf
2 Contributo in Volume::2.1 Contributo in volume (Capitolo o Saggio)
1
268
reserved
Sette, Miriam
info:eu-repo/semantics/bookPart
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11564/751421
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