In exploring the tensions between the marriage plot and the food plot, the essay notices how the bleakness of the novel's social picture is reinforced by the end of eating as a "shared act", which becomes a powerful signifier of the couple's conjugal crisis.

“‘A Fresh crop of lies’: Marriage and Food as Epistemological Issues in Joseph Conrad’s The Return”

Marilena Saracino
2021-01-01

Abstract

In exploring the tensions between the marriage plot and the food plot, the essay notices how the bleakness of the novel's social picture is reinforced by the end of eating as a "shared act", which becomes a powerful signifier of the couple's conjugal crisis.
2021
Transgressive appetites : deviant food practices in Victorian literature and culture
Silvia Antosa, Mariaconcetta Costantini, Emanuela Ettorre edited by
Inglese
STAMPA
243
255
13
9788857568973
Mimesis edizioni
Milano
ITALIA
marriage plot, food plot
www.mimesisedizioni.it
2 Contributo in Volume::2.1 Contributo in volume (Capitolo o Saggio)
1
268
open
Saracino, Marilena
info:eu-repo/semantics/bookPart
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Descrizione: In exploring the tensions between the marriage plot and the food plot in "The Return" by J. Conrad, the essay notices how the bleakness of the novel's social picture is reinforced by the end of eating as a "shared act", which becomes a powerful signifier of the couple's conjugal crisis.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11564/801854
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