In this article I focus on the controversy between Cratinus, Eupolis and Aristophanes related to the composition of Aristophanes’ Knights. The article is divided in three parts: in the first part, I discuss the various steps of the controversy through an investigation on Cratin. fr. 213 K.-A., Aristoph. Eq. 553-556 and Eupol. fr. 89 K.-A.; in the second part, I advance some hypothesis on the authorial collaboration between dramatic poets in the Classical Age; finally, I suggest a comparison between the controversy on Aristophanes’ Knights and the querelle on the authorships of some Terrence’s comedies, that aroused in Rome in II cent. BC

Τοὺς Ἱππέας ξυνεποίησα τῷ φαλακρῷ (Eup. fr. 89 K.-A.): la polemica sull'autorialità dei Cavalieri e le testimonianze antiche sulla prassi del συμποιεῖν.

Marco Recchia
2023-01-01

Abstract

In this article I focus on the controversy between Cratinus, Eupolis and Aristophanes related to the composition of Aristophanes’ Knights. The article is divided in three parts: in the first part, I discuss the various steps of the controversy through an investigation on Cratin. fr. 213 K.-A., Aristoph. Eq. 553-556 and Eupol. fr. 89 K.-A.; in the second part, I advance some hypothesis on the authorial collaboration between dramatic poets in the Classical Age; finally, I suggest a comparison between the controversy on Aristophanes’ Knights and the querelle on the authorships of some Terrence’s comedies, that aroused in Rome in II cent. BC
2023
9788833154930
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11564/848255
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