Pasolini is the first writer, framed within a relevant international scenario, who can be considered as a “multimedia” artist in tune with the contemporary technologies of communication and expression. This paper investigates some linguistic reflections imposed by Pasolini to the coeval public opinion and Italian culture. In particular, the paper deals with the importance of “technological Italian” and “new Italian” that are strongly characterized by technology, as the latter cannot be seen as a disintegrating element but as a relevant conjunction of linguistic unit.
Pasolini e la lingua italiana: il “nuovo” italiano
ortolano, pierluigi
2025-01-01
Abstract
Pasolini is the first writer, framed within a relevant international scenario, who can be considered as a “multimedia” artist in tune with the contemporary technologies of communication and expression. This paper investigates some linguistic reflections imposed by Pasolini to the coeval public opinion and Italian culture. In particular, the paper deals with the importance of “technological Italian” and “new Italian” that are strongly characterized by technology, as the latter cannot be seen as a disintegrating element but as a relevant conjunction of linguistic unit.File in questo prodotto:
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