This contribution is a reflection on representation, through the interpretation of the drawings drafted upon the occasion of the competition of 1933 for the greatest harbor station of the Mediterranean. The analysis of the competition drawings gives an occasion for reflection on the expressive modes of some main characters of the architectural italian scenario of the years between the two wars. Professionals and academics appear in the ten inquired projects: Aschieri, Autore, Broggi, Canino, Fagnoni, Marchi, Manfredi, Milani, Piccinato, Rocca, Aloisio. The interpretation of the water architecture left on paper allows us to inquire upon certain aspects of a controversial page of Italian architecture and history of representation.
Il concorso per la Nuova Stazione Marittima di Napoli del 1933
SALUCCI, Antonella
2012-01-01
Abstract
This contribution is a reflection on representation, through the interpretation of the drawings drafted upon the occasion of the competition of 1933 for the greatest harbor station of the Mediterranean. The analysis of the competition drawings gives an occasion for reflection on the expressive modes of some main characters of the architectural italian scenario of the years between the two wars. Professionals and academics appear in the ten inquired projects: Aschieri, Autore, Broggi, Canino, Fagnoni, Marchi, Manfredi, Milani, Piccinato, Rocca, Aloisio. The interpretation of the water architecture left on paper allows us to inquire upon certain aspects of a controversial page of Italian architecture and history of representation.I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
