This article focuses on the reading of the popular Chinese novel Chronicles of Du Lala’s Promotions, a bestseller published in 2007 and soon followed by numerous spin-offs, to observe how the novel constructs its vision of social hierarchy in the context of the emerging market economy and of the new social stratification brought about by the capitalist division of labour. The article argues that this vision of social hierarchy, although formulated in response to the new capitalist reconfiguration of the Chinese society, draws upon and is structured by a pre-existing traditional understanding of social hierarchy, one which is steeped both in the Confucian and the Maoist constructions of the social order. In particular, after having compared the ideal social structures painted by the Confucian and Maoist doctrines and by the current Chinese government, the article illustrates how the novel, reverberating the current governmental ideology, presents the middle class as a sort of moral elite entitled to enjoy privileged status thanks to its meritorious achievements in the market.

New Social Classes, Old Visions of Hierarchy: the Novel Chronicles of Du Lala’s Promotions as an Example of Middle Class Virtue in the Chinese “Socialist Market”

FUMIAN, MARCO
2014-01-01

Abstract

This article focuses on the reading of the popular Chinese novel Chronicles of Du Lala’s Promotions, a bestseller published in 2007 and soon followed by numerous spin-offs, to observe how the novel constructs its vision of social hierarchy in the context of the emerging market economy and of the new social stratification brought about by the capitalist division of labour. The article argues that this vision of social hierarchy, although formulated in response to the new capitalist reconfiguration of the Chinese society, draws upon and is structured by a pre-existing traditional understanding of social hierarchy, one which is steeped both in the Confucian and the Maoist constructions of the social order. In particular, after having compared the ideal social structures painted by the Confucian and Maoist doctrines and by the current Chinese government, the article illustrates how the novel, reverberating the current governmental ideology, presents the middle class as a sort of moral elite entitled to enjoy privileged status thanks to its meritorious achievements in the market.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11564/602598
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