In Death Comes to Pemberley, P. D. James re-creates Jane Austen’s world in a new context, involving the characters in a murder mystery. She analyses the whole situation through the privileged lens of a woman who looks at Austen’s society and its change, giving emphasis to the distortion of her characters’ perspective, which, consequently, becomes a distortion of the truth. The aim of this paper is to analyse the evolution of James’s characters from the starting point of the murder, to show how social and psychological conflicts have been re-written representing a hallmark of Austen and James’s realism.

Revisiting Pride and Prejudice: P. D. James’s Death Comes to Pemberley

PARTENZA, Paola
2017-01-01

Abstract

In Death Comes to Pemberley, P. D. James re-creates Jane Austen’s world in a new context, involving the characters in a murder mystery. She analyses the whole situation through the privileged lens of a woman who looks at Austen’s society and its change, giving emphasis to the distortion of her characters’ perspective, which, consequently, becomes a distortion of the truth. The aim of this paper is to analyse the evolution of James’s characters from the starting point of the murder, to show how social and psychological conflicts have been re-written representing a hallmark of Austen and James’s realism.
File in questo prodotto:
File Dimensione Formato  
Parole Rubate: n.16, Dec. 2017.pdf

Solo gestori archivio

Tipologia: PDF editoriale
Dimensione 560.31 kB
Formato Adobe PDF
560.31 kB Adobe PDF   Visualizza/Apri   Richiedi una copia

I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.

Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11564/692432
Citazioni
  • ???jsp.display-item.citation.pmc??? ND
  • Scopus ND
  • ???jsp.display-item.citation.isi??? ND
social impact