Human beings developed tools for their life and for taking care of their social world as reading and writing, but they are not the only ones. This contribu- tion introduces, thematizes and problematizes a further way for knowledge building and for representing thoughts and emotions: drawing, too often limited to the world of childhood. The activity of drawing, or arto-graphic literacy, can be understood as a human practice with an epistemic function, and it should be removed from the culture of drawing referable to a techni- cal and artistic professionalism or to an uneducable talent. In fact, recent lit- erature explores the process of drawing, describes the neurocognitive activities that it develops and finally documents drawing as an educational resource, aimed at observing and understanding oneself, the world and the other. Thus understood, the experience of drawing can be rediscovered as an arto-graphic memory of an educational world as documented in the Di- segno In-segno project, or reinvented as a drawing-to-learn/ drawing-to- teach or even as a research method that can amplify the possibility of knowing what historically, or in the contemporary world, can return form and meaning to educational experiences.

Di-segno In-segno. Il disegno come arto-graphic literacy per espandere e documentare il potenziale umano. Drawing-to-learn Drawing-to-teach. Drawing as arto-graphic literacy to expand and document human potential

Garista P
2020-01-01

Abstract

Human beings developed tools for their life and for taking care of their social world as reading and writing, but they are not the only ones. This contribu- tion introduces, thematizes and problematizes a further way for knowledge building and for representing thoughts and emotions: drawing, too often limited to the world of childhood. The activity of drawing, or arto-graphic literacy, can be understood as a human practice with an epistemic function, and it should be removed from the culture of drawing referable to a techni- cal and artistic professionalism or to an uneducable talent. In fact, recent lit- erature explores the process of drawing, describes the neurocognitive activities that it develops and finally documents drawing as an educational resource, aimed at observing and understanding oneself, the world and the other. Thus understood, the experience of drawing can be rediscovered as an arto-graphic memory of an educational world as documented in the Di- segno In-segno project, or reinvented as a drawing-to-learn/ drawing-to- teach or even as a research method that can amplify the possibility of knowing what historically, or in the contemporary world, can return form and meaning to educational experiences.
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Utilizza questo identificativo per citare o creare un link a questo documento: https://hdl.handle.net/11564/820354
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