Adopting a methodological perspective of historical-philosophical and theoretical nature, this paper addresses the theme of praxis in light of the perspective that Gilles Deleuze develops during his works dedicated to Anglo-American literature. In detail, the tools offered by Deleuzian reflection allow for an in-depth examination of the status of narration from an empirical-existential standpoint, as well as to identify how the theme of becoming can be articulated through various forms of representation. This operation is elaborated here through an analysis focused on the novel Big Fish (1998) by Daniel Wallace and its adaptation by Tim Burton (2003).
Prassi, pensiero e letteratura anglo-americana a partire da Deleuze
SCARLATO CCo-primo
;
2024-01-01
Abstract
Adopting a methodological perspective of historical-philosophical and theoretical nature, this paper addresses the theme of praxis in light of the perspective that Gilles Deleuze develops during his works dedicated to Anglo-American literature. In detail, the tools offered by Deleuzian reflection allow for an in-depth examination of the status of narration from an empirical-existential standpoint, as well as to identify how the theme of becoming can be articulated through various forms of representation. This operation is elaborated here through an analysis focused on the novel Big Fish (1998) by Daniel Wallace and its adaptation by Tim Burton (2003).I documenti in IRIS sono protetti da copyright e tutti i diritti sono riservati, salvo diversa indicazione.
